Review: Sepultura - Arise

And now for a retro review. Arise was released by Brazilian thrash legends Sepultura in 1991, the year I was born. The band has an interesting link to the South African metal scene. The lead vocalist of the incredible band The Broken Result (now disbanded) was previously part of a musical project that toured with Sepultura.


The title track and opener Arise has a guitar tone similar to Metallica. I didn't pick up on any other Metallica-like elements on the other tracks. The sinister introduction of this song is an introduction to the theme of the whole album - a world that has gone disastrously wrong, and is now filled with despair, instability and looming danger. Vocalist Max Cavalera's ragged, strong delivery fits perfectly with the lyrical themes. The band adds variety to the track Desperate Cry For Help, with an acoustic guitar interlude and  tempo changes. There's a great solo from lead guitarist Andreas Kisser, with a great effect.  The stampeding drumming also adds flavour to the track. Subtraction has a galloping rhythm towards the end, and more great guitar effects, which I came to like very much over the course of the album.

The album highlight came in the form of Altered State, which opens with Latin percussion and tribal drumming. Chanting and flute-playing add to the ritualistic atmosphere, and then the guitars come rumbling and screeching in, starting the glorious thrashy journey that is Altered State. The lyrics in Meaningless Movements save it from being entirely boring,since the music isn't one of the strongest compositions on the album. Strongly closing the album is Orgasmatron, with a punchy, feedback-imbued intro. The tribal drumming makes a second appearance on one of the bonus tracks, C.I.U (Criminals In Uniform). There's a sound effect in the intro that sounds like a rattlesnake, which adds to the song's sinister tone. The solo has a distant, spacey sound, which I liked. C.I.U was another standout track for me.

The lyrics on this album meld very well with what's going on musically, just as the music melds very well with the lyrics. I liked how the lyrics continued the theme of a chaotic, despair-filled world throughout Arise. The songs on this album grew on me with each listen, and I expect they'll be residing in my mental heavy metal filing cabinets for a long time to come.

Review: Evile - Five Serpent's Teeth

The first time I heard Five Serpent's Teeth, from UK retro-thrashers Evile, it didn't particularly stand out in my mind. While it did grow on me with subsequent listens, the album falls slightly short of being mind-blowing.

Opener Five Serpent's Teeth has a sinister undertone and an energetic pace. The standout tracks begin with Xaraya - it has haunting guitar work with a lamenting feel, and good vocal harmonies. Centurion packs power, withs its war-like sound. The guitar break after each chorus has a great sound. Strangely enough, the highlight of the album for me was the track In Memoriam, the ballad. Songs about remembering one's mortality have a habit of sticking in my head. Towards the end of the song, there is some beautiful and emotional guitar. The coda is a slowly fading dirge, like wind finally blowing away the last trace of something from the past. Throughout the album, well-executed guitar harmonies are present, courtesy of brothers Ol and Matt Drake. The pair do especially well on the solos, which show off their musical prowess.

It's on In Memoriam  that vocalist-guitarist Matt  sounds most like James Hetfield. The other tracks also have a Hetfield vocal sound. Metallicaesque sounds also appear in the music. To my mind, their lyrics are fairly different from those of Metallica.

Before hearing Five Serpent's Teeth, I hadn't heard anything from Evile, and this album was a good first impression.

Review: Mastodon - The Hunter

I haven't heard a lot of progressive metal thus far - The Hunter is only the second full-length prog metal album I've listened to (the first was Iconoclast by Symphony X).

The Hunter is an enjoyable listen, with great vocals from bassist/vocalist Troy Sanders. His vocals on this album are clean with a slight rough edge. The atmosphere of the album is varied. Stargasm has a spacey, expansive feel, as does Octopus Has No Friends. I really liked the lively rhythm of the intro to Octopus Has No Friends, as it draws the listener into the journey that is the song. Melancholy descends with the opening notes of the title track. The guitar solo near the end of the song had a beautiful, moving quality to it. Thickening has a dark, seductive tone. Whimsy comes into play with Creature Lives. I imagined one of those typical swamp monster characters seen on TV, with fins on the side of its head. For the most part, I enjoyed the slower tracks on this album.

Judging from this offering, and what I've read about them, Mastodon seem like an interesting and creative band - I'm curious to hear more of their discography, and more of progressive metal in general.

Review: Blackguard - Firefight.

 This review, and the next one on Mastodon, aren't very good because I did a shoddy job of recording my thoughts on these albums - apologies!

 Blackguard is a folk/melodic death metal band hailing from the frost-bitten land of Montreal, Quebec. Their previous name was Profugus Mortis ('Fleeing Death' in Latin), which they changed to Blackguard after signing with Nuclear Blast in 2009. Firefight is their second full-length album.

Blackguard adds interest to their music via a choir and symphonic instruments - the violins are particulary good. Hardcore screeching has the potential to grate on one's nerves, but they work in this case. The title track is a rousing and energetic song with a catchy chorus. Wastelands is a personal highlight both for its sound and message - the lyrics paint a picture of a barren earth desecrated by human greed. Cruel Hands is another favourite, as is the soaring number A Blinding Light. The clean solos throughout the album are done very well.

Review: Emperor - Emperial Live Ceremony (Live CD)

On 23 December last year, I saw an incredible Emperor tribute show at ROAR in Observatory. The stellar lineup consisted of A Walk With the Wicked (death metal), Wildernessking (black metal) and Blackcrowned (black metal). The set list that night consisted of the tracks from Emperial Live Ceremony, so when I came across the CD, I eagerly snapped up a copy.

The tracks on this CD were recorded at London Arena 2 in 1999. Sound engineer Thorbjorn Akkerhaugen captured the music well - the sound  is of a high quality. However, the guitars seemed to get a little bit lost in the mix at one point. While I was listening to this album, I could get some idea of what it would have been like to have been at LA2; the atmosphere of the performance was also captured on the album.


Curse You All Men! sets the scene with a sinister and grand mood. The melodic guitar parts contrast well with  the distorted guitar parts. The keyboards  on I Am The Black Wizards add an extra layer of drama to the the song, and enhance its mood. This was the song that first drew me to Emperor (it remains a favourite); its sheer grandiosity has not faded with multiple listens.


The crowd's necks must have been broken after With Strength I Burn - it's a high-energy, headbanger of a song. The high energy continues into Sworn, with some demoniacal blast beats. There are great guitar riffs in this number as well.


The rhythm and atmosphere of Inno A Satana make it another of my favourite Emperor tracks. Lead vocalist and guitarist Insahn does equally well in growling and clean singing. The words ''Inno A Satana'' are sung cleanly, and have a power about them that grabs me by the throat. Insahn's operatic-sounding clean vocals were well-executed throughout the set. Ye Entrancemperium is a fitting closer, with its emperial sound, good guitar work and soaring vocals from Insahn.


Emperor is known as a legend of the Norwegian black metal scene. They definitely deserve that title - melody combines perfectly with wildness to create a sound worthy of their name.

Review: AGRO - Rewriting History (CD and DVD)

South Africa isn't known for having  long-standing metal bands. Johannesburg-based AGRO have been going for almost twenty years now, which is an inspiring feat. Rewriting History is a collection of material taken from six albums, plus two cover songs. There is also a very interesting DVD on the history of AGRO.

 Power of the Brave, the second track, is one of my favourite tracks on the album - a great beginning! The song has a mood of rising above adversity, and the chorus - to borrow a term from Angry Metal Guy - is an earworm of note (as I write, Power of the Brave has been stuck in my head for three days now). My ears were further treated to a great guitar solo and drum break.

AGRO have a sound that stands out  - the track Eyes is one of many pieces of evidence of this. There's a jazzy break in the song, which keeps things interesting. The song flows back into thrasher mode well. Eyes, as well as What is Wrong, are politically-themed. Both tracks are from the album Eyes, released 1997, and contain lyrics that reflect a South Africa that was just starting to recover from a regime built on racial prejudice and censorship.

The tracks Taken by Misery, Away from Fear and Chalk Outline have a more melodic feel. Away from Fear has an intro with a strong keyboard presence, and is another of my album highlights. The keyboards and violins get a spotlight during At Liberty, and the guitar that joins in with them manages to meld effectively with the symphonic elements. Keyboards and violins can be potentially gimmicky in metal, but AGRO avoids this in their sound, resulting in an aurally pleasing blending of styles.

The last two tracks, See You and Empty Tankard, are covers of songs by Depeche Mode and Tankard respectively. After ten strong previous tracks, I found these covers a bit weak. Empty Tankard has a  fun atmosphere though.

The History of AGRO DVD was a fascinating documentary of AGRO's career so far. There was commentary by the band members, other bands, fans and other metal-related folk, gig footage and music video footage (M-Net used to play metal videos!). I laughed at the tales of drunken shenanigans - guitarist Shane Pennicott's drinking sound effect got me every time. The footage at the end of  the video is... interesting. I won't spoil the surprise... I think it's important for we young metalheads to know the history of the metal subculture in our own country, so kudos to AGRO for contributing to metal education.

Review: Strident - Oath

This year I've decided to review all/most of  the metal albums I hear for the first time (including old releases). I would've liked to review albums from other genres too, but unfortunately I don't have a time-turner like Hermione Granger in Harry Potter and the Prisoner of Azkaban.

The first full album I listened to this year was Oath by Cape Town power metallers Strident. To enjoy this album, you need to approach it with a sense of humour. Strident don't take themselves too seriously, so switch your brain from Serious Metal Scholar mode to Good Times mode.

The instrumental track Prima Lux  Ante Bellum opens the album on a grand note, hinting at the over-the-topness to come. Metal or Death has a distinct Manowar feel - throughout the rest of the album, you can hear the Manowar influences. Odin Be Our Guide is a lively, battle cry type of song, and was a highlight for me both times I saw Strident live. Vocalist Deon Van Heerden's voice is at its best on this track, as well as on the others that contain clean singing (as opposed to the semi-growl).

There's a lot of great guitar work on the album; I'd like to hear a more in-your-face sound from the guitars next time around. The lyrics are fun to sing along to, especially those of Power Metal From Space! It's definitely one of the catchiest heavy metal songs I've ever heard, and another  live highlight. I did have a ''Huh?'' moment during a verse of Undead Legion, but it made me laugh so I'm not complaining. The closer, Fire Of Legends, had me imagining a line of guys with arms around each others' shoulders and beer tankards in hand singing this song, because of its 'brothers united in metal' vibe. It ends with twinkly harpsichord notes, then rumbles into a big, over-the-top finish.

Oath was a lot of fun to listen to. I believe that heavy metal doesn't always have to be serious to be good.

More Top Albums of 2011

This is my list of top non metal albums (all but one aren't even from 2011; this year I will make more of an effort to check out current releases).
 
In no particular order:
Opeth- Heritage ( a 2011 release; progressive rock with metal elements)
 The Cure - Disintegration (gothic rock)
Joanna Newsom - The Milk-Eyed Mender (folk)
Fionn Regan - The End Of History (acoustic indie)
Fionn Regan - Shadow of an Empire (acoustic indie)
Rupa & The April Fishes - Extraordinary Rendition (world music)
Legendary Pink Dots - The Maria Dimension (experimental rock)

Top Metal Albums of 2011

This list is sort of irrelevant, since it's already 11 January. I'll keep this list short and sweet.

In no particular order:
Obscura – Omnivium (death metal)
Riot – Immortal Soul (traditional metal)
Megadeth – Th1rt3en (thrash metal)
Ulcerate – The Destroyers of All (death metal)
Primordial – Redemption at the Puritan’s Hand (progressive black metal)
Blut Aus Nord – 777 Sects/The Desanctification (black metal)
Amon Amarth – Surtur Rising (death metal)
Battle Beast – Steel (traditional metal)
The Physicists - Observation (progressive/industrial/just-plain-strange metal)
EDIT: I forgot to add Burzum - Valen (black metal)
Honourable mentions go to Hemoptysis - Misanthropic Slaughter and Impureza - La Iglesia Del Odio (if I'd managed to get hold of the full albums last year, these two would've been on my top albums list).

Two South African releases that really impressed me were Architects of Sadism by A Walk With the Wicked (death/groove metal) and Recursive by The Broken Result (death metal; released in 2010, but I only heard it this year, thus the inclusion on my 2011 list). Two of my favourite local bands are planning album releases for 2012, so I've already got something to look forward to in the realm of 2012 albums.